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Katrina vs Iowa Flood

After Katrina, the media blamed the lack of response on the Bush administration’s dislike of black people.

Can we then conclude from the lack of media coverage and response by the Obama administration that Obama doesn’t like white folks?

See Below:
Where are the Hollywood celebrities holding telethons asking for help in restoring Iowa and North Dakota and helping the folks affected by the floods? Where is good old Michael Moore?

Why are the media NOT asking the tough questions about why the federal government hasn’t solved this problem? Where are the FEMA trucks, trailers and food services?

Why isn’t the Federal government moving Iowa people into free hotels in Chicago and Minneapolis?

When will Spike Lee say that the Federal government blew up the levees that failed in Des Moines?

Where are Sean Penn, Bono, and the Dixie Chicks?

Where are all the looters stealing high-end tennis shoes, cases of beer and television sets?

When will we hear Governor Chet Culver say that he wants to rebuild a ‘vanilla’ Iowa…because that’s what God wants?

Where is the hysterical 24/7 media coverage complete with reports of shootings at rescuers, of rapes and murder?

Where are all the people screaming that Barack Obama hates white, rural people? My God, where are Angelina Jolie and Brad Pitt, Oprah, and Ray Coniff Jr?

How come you will never hear about the Iowa flooding ever again? Where are the gov’t. bail out vouchers? The government debit cards?

There must be one hell of a big difference between the value of the people of Iowa and value of the people ofLouisiana.

HERE’S THE REAL TRUTH:

THIS IS AN EXAMPLE OF CONTROL OF THE MEDIA, AND SOON TO BE GOV’T. CONTROL OF INTERNET, CELL PHONES, RADIO AND ALL COMMUNICATION AS WELL AS THE PRESENT NETWORK NEWS ON TV.

WAKE UP, AMERICANS… WHOMEVER CONTROLS THE MEDIA CONTROLS THE COUNTRY! Share!

The Girl Who Loves to Levitate (14 photos)


Natsumi Hayashi is a sweet-looking Japanese girl who, one day, decided to take self-portraits..of herself levitating. She can be spotted in and around Tokyo, equipped with her SLR and her self-timer. When she feels the moment strike, she presses the shutter button down and then, quite literally, “jumps” into place.

What I love most about her shots is that they don’t feel forced. Natsumi has a way of making us feel as though she naturally levitates throughout life.

When I asked her how others react to her jumping around Tokyo, here is a funny story that she shared. “One day, when I was jumping at a famous sightseeing spot in western Tokyo, workers at a souvenir shop were frightened by how I was jumping. They were whispering things like ‘Is the girl mentally ill’ and ‘Do we need to call the police?’

“So I stopped jumping and apologized to them by saying, ‘I am taking jumping photos for my wedding party’s slide show.’ Their faces turned bright red, and they said things like ‘Oh dear!’ and ‘Congratulations!’ and even ‘Keep jumping!’

“Then, I took one of the best levitation shots of the entire series.”














“We are all surrounded by social stress as we are bound by the forces of earth’s gravity,” Natsumi says when asked why she took on the series. “So, I hope that people feel something like an instant release from their stressful days by seeing my levitation photos

Audio drug scene has weak vibrations

This week, I found time in my busy schedule to try heroin, and I have to say, it was an unusual experience, but it wasn’t all its cracked up to be. Neither, for that matter, was cocaine, which I also tried this week.

All right, I’m not actually talking about the illicit drugs themselves. I’m talking about I-Doser sound files, which bear the same names of various drugs and, according to i-doser.com, produce effects similar to their namesakes without health or legal issues.

I first became curious about I-Doser when my fellow columnist, Joe Dolan, told me about it. He said he listened to “crystal meth” for about two minutes, and it made him sweat and feel uncomfortable.

“Sign me up,” I thought, and went home to acquire some “doses” for myself.

Reading about I-Doser, I learned that the scientific name for the phenomenon that makes I-Doser work is “binaural beats.”

Apparently, by playing two slightly different, low frequency tones directly into each ear at the same time, brainwave activity can be altered to produce various sensations. This process is called brainwave “entrainment.”

Since the two tones being played are slightly different, headphones are required. Also, the Web site says it’s a lot more likely to work if you’re lying down, relaxed and concentrating on the tones.

The first one I tried out was called “anesthesia,” which was described as having a very strong sedative and numbing effect. Lying on the couch and listening to the hisses of static and incessant thrumming, I began to feel odd after about 15 minutes. I probably dozed off a couple of times, and at one point I was pretty convinced that my fingertips were numb.

While this may sound like pretty strong evidence that I-Doser works, I worried that I had been victim to the power of suggestion.

So, I talked my friend Dan into doing one without telling him what to expect. I selected one of the most ridiculous files I could find: “Masochist.” According to its description, this one combines an intense simulation of sexual arousal and orgasm with sensations of pain in the teeth and under the skin.

Thirty minutes after it had begun, the dose ended, and Dan called me in to report on his experience. He looked a little confused.

“Was it supposed to make me feel…aroused?” he asked me.

Apparently it worked fairly well. Dan said that about 10 minutes into it, he got an erection that, on a scale of one to 10, ranked at about a seven.

As far a pain goes, Dan said those sensations didn’t quite match the description, but he found himself clenching his jaws a lot and felt short of breath a few times, which was quite unpleasant.

I tried the heroin one and I almost fell asleep. I didn’t really feel like I was on heroin, I just felt tired and lazy, without the feeling of ecstasy that keeps junkies coming back for more.

Since I felt tired after listening to heroin, I decided to pick myself up by trying “Cocaine.”

I was mostly woken up by the headache I got about five minutes into the track. I did not experience the “mild- to high-degree euphoria” that the site said I might.

The next day I decided to try one called “Orgasm.” It was described a lot like the masochist one, but without the pain.

It didn’t work at all. I fell asleep. My dreams weren’t even sexy. I will admit, though, it was a pretty nice nap.

My verdict on I-Doser is that it’s pretty interesting, and to some degree, it works sometimes. However, the whole drug theme is pretty lame.

Instead of marketing a 30-minute sound file as “heroin” or “LSD” or some other drug that can hardly be simulated non-chemically, it should be marketed more honestly — as a 30-minute sound file that makes you feel kind of weird, or kind of horny or kind of like you want to take a nap.

 

Is the Universe a Holographic Reality?

Does Objective Reality Exist, or is the Universe a Phantasm?

In 1982 a remarkable event took place. At the University of Paris a research team led by physicist Alain Aspect performed what may turn out to be one of the most important experiments of the 20th century. You did not hear about it on the evening news. In fact, unless you are in the habit of reading scientific journals you probably have never even heard Aspect’s name, though there are some who believe his discovery may change the face of science.

Aspect and his team discovered that under certain circ***tances subatomic particles such as electrons are able to instantaneously communicate with each other regardless of the distance separating them. It doesn’t matter whether they are 10 feet or 10 billion miles apart. Somehow each particle always seems to know what the other is doing. The problem with this feat is that it violates Einstein’s long-held tenet that no communication can travel faster than the speed of light. Since traveling faster than the speed of light is tantamount to breaking the time barrier, this daunting prospect has caused some physicists to try to come up with elaborate ways to explain away Aspect’s findings. But it has inspired others to offer even more radical explanations.

University of London physicist David Bohm, for example, believes Aspect’s findings imply that objective reality does not exist, that despite its apparent solidity the universe is at heart a phantasm, a gigantic and splendidly detailed hologram.

To understand why Bohm makes this startling assertion, one must first understand a little about holograms. A hologram is a three- dimensional photograph made with the aid of a laser. To make a hologram, the object to be photographed is first bathed in the light of a laser beam. Then a second laser beam is bounced off the reflected light of the first and the resulting interference pattern (the area where the two laser beams commingle) is captured on film. When the film is developed, it looks like a meaningless swirl of light and dark lines. But as soon as the developed film is illuminated by another laser beam, a three-dimensional image of the original object appears.

The three-dimensionality of such images is not the only remarkable characteristic of holograms. If a hologram of a rose is cut in half and then illuminated by a laser, each half will still be found to contain the entire image of the rose. Indeed, even if the halves are divided again, each snippet of film will always be found to contain a smaller but intact version of the original image. Unlike normal photographs, every part of a hologram contains all the information possessed by the wh***.

The “wh*** in every part” nature of a hologram provides us with an entirely new way of understanding organization and order. For most of its history, Western science has labored under the bias that the best way to understand a physical phenomenon, whether a frog or an atom, is to dissect it and study its respective parts. A hologram teaches us that some things in the universe may not lend themselves to this approach. If we try to take apart something constructed holographically, we will not get the pieces of which it is made, we will only get smaller wh***s.

This insight suggested to Bohm another way of understanding Aspect’s discovery. Bohm believes the reason subatomic particles are able to remain in contact with one another regardless of the distance separating them is not because they are sending some sort of mysterious signal back and forth, but because their separateness is an illusion. He argues that at some deeper level of reality such particles are not individual entities, but are actually extensions of the same fundamental something.

To enable people to better visualize what he means, Bohm offers the following illustration. Imagine an aquarium containing a fish. Imagine also that you are unable to see the aquarium directly and your knowledge about it and what it contains comes from two television cameras, one directed at the aquarium’s front and the other directed at its side. As you stare at the two television monitors, you might assume that the fish on each of the screens are separate entities. After all, because the cameras are set at different angles, each of the images will be slightly different. But as you continue to watch the two fish, you will eventually become aware that there is a certain relationship between them. When one turns, the other also makes a slightly different but corresponding turn; when one faces the front, the other always faces toward the side. If you remain unaware of the full scope of the situation, you might even conclude that the fish must be instantaneously communicating with one another, but this is clearly not the case.

This, says Bohm, is precisely what is going on between the subatomic particles in Aspect’s experiment. According to Bohm, the apparent faster-than-light connection between subatomic particles is really telling us that there is a deeper level of reality we are not privy to, a more complex dimension beyond our own that is analogous to the aquarium. And, he adds, we view objects such as subatomic particles as separate from one another because we are seeing only a portion of their reality. Such particles are not separate “parts”, but facets of a deeper and more underlying unity that is ultimately as holographic and indivisible as the previously mentioned rose. And since everything in physical reality is comprised of these “eidolons”, the universe is itself a projection, a hologram.

In addition to its phantomlike nature, such a universe would possess other rather startling features. If the apparent separateness of subatomic particles is illusory, it means that at a deeper level of reality all things in the universe are infinitely interconnected.The electrons in a carbon atom in the human brain are connected to the subatomic particles that comprise every salmon that swims, every heart that beats, and every star that shimmers in the sky. Everything interpenetrates everything, and although human nature may seek to categorize and pigeonh*** and subdivide, the various phenomena of the universe, all apportionments are of necessity artificial and all of nature is ultimately a seamless web.
In a holographic universe, even time and space could no longer be viewed as fundamentals. Because concepts such as location break down in a universe in which nothing is truly separate from anything else, time and three-dimensional space, like the images of the fish on the TV monitors, would also have to be viewed as projections of this deeper order. At its deeper level reality is a sort of superhologram in which the past, present, and future all exist simultaneously. This suggests that given the proper tools it might even be possible to someday reach into the superholographic level of reality and pluck out scenes from the long-forgotten past.

What else the superhologram contains is an open-ended question. Allowing, for the sake of argument, that the superhologram is the matrix that has given birth to everything in our universe, at the very least it contains every subatomic particle that has been or will be — every configuration of matter and energy that is possible, from snowflakes to quasars, from blue whales to gamma rays. It must be seen as a sort of cosmic storehouse of “All That Is.”

Although Bohm concedes that we have no way of knowing what else might lie hidden in the superhologram, he does venture to say that we have no reason to assume it does not contain more. Or as he puts it, perhaps the superholographic level of reality is a “mere stage” beyond which lies “an infinity of further development”.

Bohm is not the only researcher who has found evidence that the universe is a hologram. Working independently in the field of brain research, Standford neurophysiologist Karl Pribram has also become persuaded of the holographic nature of reality. Pribram was drawn to the holographic model by the puzzle of how and where memories are stored in the brain. For decades numerous studies have shown that rather than being confined to a specific location, memories are dispersed throughout the brain.

In a series of landmark experiments in the 1920s, brain scientist Karl Lashley found that no matter what portion of a rat’s brain he removed he was unable to eradicate its memory of how to perform complex tasks it had learned prior to surgery. The only problem was that no one was able to come up with a mechanism that might explain this curious “wh*** in every part” nature of memory storage.

Then in the 1960s Pribram encountered the concept of holography and realized he had found the explanation brain scientists had been looking for. Pribram believes memories are encoded not in neurons, or small groupings of neurons, but in patterns of nerve impulses that crisscross the entire brain in the same way that patterns of laser light interference crisscross the entire area of a piece of film containing a holographic image. In other words, Pribram believes the brain is itself a hologram.

Pribram’s theory also explains how the human brain can store so many memories in so little space. It has been estimated that the human brain has the capacity to memorize something on the order of 10 billion bits of information during the average human lifetime (or roughly the same amount of information contained in five sets of the Encyclopaedia Britannica).

Similarly, it has been discovered that in addition to their other capabilities, holograms possess an astounding capacity for information storage–simply by changing the angle at which the two lasers strike a piece of photographic film, it is possible to record many different images on the same surface. It has been demonstrated that one cubic centimeter of film can hold as many as 10 billion bits of information.

Our uncanny ability to quickly retrieve whatever information we need from the enormous store of our memories becomes more understandable if the brain functions according to holographic principles. If a friend asks you to tell him what comes to mind when he says the word “zebra”, you do not have to clumsily sort back through some gigantic and cerebral alphabetic file to arrive at an answer. Instead, associations like “striped”, “horselike”, and “animal native to Africa” all pop into your head instantly. Indeed, one of the most amazing things about the human thinking process is that every piece of information seems instantly cross- correlated with every other piece of information–another feature intrinsic to the hologram. Because every portion of a hologram is infinitely interconnected with every other portion, it is perhaps nature’s supreme example of a cross-correlated system.

The storage of memory is not the only neurophysiological puzzle that becomes more tractable in light of Pribram’s holographic model of the brain. Another is how the brain is able to translate the avalanche of frequencies it receives via the senses (light frequencies, sound frequencies, and so on) into the concrete world of our perceptions.

Encoding and decoding frequencies is precisely what a hologram does best. Just as a hologram functions as a sort of lens, a translating device able to convert an apparently meaningless blur of frequencies into a coherent image, Pribram believes the brain also comprises a lens and uses holographic principles to mathematically convert the frequencies it receives through the senses into the inner world of our perceptions.

An impressive body of evidence suggests that the brain uses holographic principles to perform its operations. Pribram’s theory, in fact, has gained increasing support among neurophysiologists.

Argentinian-Italian researcher Hugo Zucarelli recently extended the holographic model into the world of acoustic phenomena. Puzzled by the fact that humans can locate the source of sounds without moving their heads, even if they only possess hearing in one ear, Zucarelli discovered that holographic principles can explain this ability. Zucarelli has also developed the technology of holophonic sound, a recording technique able to reproduce acoustic situations with an almost uncanny realism.

Pribram’s belief that our brains mathematically construct “hard” reality by relying on input from a frequency domain has also received a good deal of experimental support. It has been found that each of our senses is sensitive to a much broader range of frequencies than was previously suspected. Researchers have discovered, for instance, that our visual systems are sensitive to sound frequencies, that our sense of smellisin part dependent on what are now called “osmic frequencies”, and that even the cells in our bodies are sensitive to a broad range of frequencies. Such findings suggest that it is only in the holographic domain of consciousness that such frequencies are sorted out and divided up into conventional perceptions.

But the most mind-boggling aspect of Pribram’s holographic model of the brain is what happens when it is put together with Bohm’s theory. For if the concreteness of the world is but a secondary reality and what is “there” is actually a holographic blur of frequencies, and if the brain is also a hologram and only selects some of the frequencies out of this blur and mathematically transforms them into sensory perceptions, what becomes of objective reality? Put quite simply, it ceases to exist. As the religions of the East have long upheld, the material world is Maya, an illusion, and although we may think we are physical beings moving through a physical world, this too is an illusion.

We are really “receivers” floating through a kaleidoscopic sea of frequency, and what we extract from this sea and transmogrify into physical reality is but one channel from many extracted out of the superhologram.

This striking new picture of reality, the synthesis of Bohm and Pribram’s views, has come to be called the-holographic paradigm, and although many scientists have greeted it with skepticism, it has galvanized others. A small but growing group of researchers believe it may be the most accurate model of reality science has arrived at thus far. More than that, some believe it may solve some mysteries that have never before been explainable by science and even establish the paranormal as a part of nature. Numerous researchers, including Bohm and Pribram, have noted that many para-psychological phenomena become much more understandable in terms of the holographic paradigm.

In a universe in which individual brains are actually indivisible portions of the greater hologram and everything is infinitely interconnected, telepathy may merely be the accessing of the holographic level.

It is obviously much easier to understand how information can travel from the mind of individual ‘A’ to that of individual ‘B’ at a far distance point and helps to understand a number of unsolvedpuzzles in psychology.

In particular, Stanislav Grof feels the holographic paradigm offers a model for understanding many of the baffling phenomena experienced by individuals during altered states of consciousness. In the 1950s, while conducting research into the beliefs of LSD as a psychotherapeutic tool, Grof had one female patient who suddenly became convinced she had assumed the identity of a female of a species of prehistoric reptile. During the course of her hallucination, she not only gave a richly detailed description of what it felt like to be encapsuled in such a form, but noted that the portion of the male of the species’s anatomy was a patch of colored scales on the side of its head. What was startling to Grof was that although the woman had no prior knowledge about such things, a conversation with a zoologist later confirmed that in certain species of reptiles colored areas on the head do indeed play an important role as triggers of sexual arousal. The woman’s experience was not unique. During the course of his research, Grof encountered examples of patients regressing and identifying with virtually every species on the evolutionary tree (research findings which helped influence the man-into-ape scene in the movie Altered States). Moreover, he found that such experiences frequently contained obscure zoological details which turned out to be accurate.

Regressions into the animal kingdom were not the only puzzling psychological phenomena Grof encountered. He also had patients who appeared to tap into some sort of collective or racial unconscious. Individuals with little or no education suddenly gave detailed descriptions of Zoroastrian funerary practices and scenes from Hindu mythology. In other categories of experience, individuals gave persuasive accounts of out-of-body journeys, of precognitive glimpses of the future, of regressions into apparent past-life incarnations.

In later research, Grof found the same range of phenomena manifested in therapy sessions which did not involve the use of drugs. Because the common element in such experiences appeared to be the transcending of an individual’s consciousness beyond the usual boundaries of ego and/or limitations of space and time, Grof called such manifestations “transpersonal experiences”, and in the late ’60s he helped found a branch of psychology called “transpersonal psychology” devoted entirely to their study.
Although Grof’s newly founded Association of Transpersonal Psychology garnered a rapidly growing group of like-minded professionals and has become a respected branch of psychology, for years neither Grof or any of his colleagues were able to offer a mechanism for explaining the bizarre psychological phenomena they were witnessing. But that has changed with the advent of the holographic paradigm.

As Grof recently noted, if the mind is actually part of a continuum, a labyrinth that is connected not only to every other mind that exists or has existed, but to every atom, organism, and region in the vastness of space and time itself, the fact that it is able to occasionally make forays into the labyrinth and have transpersonal experiences no longer seems so strange.

The holographic paradigm also has implications for so-called hard sciences like biology. Keith Floyd, a psychologist at Virginia Intermont College, has pointed out that if the concreteness of reality is but a holographic illusion, it would no longer be true to say the brain produces consciousness. Rather, it is consciousness that creates the appearance of the brain — as well as the body and everything else around us we interpret as physical.
Such a turnabout in the way we view biological structures has caused researchers to point out that medicine and our understanding of the healing process could also be transformed by the holographic paradigm. If the apparent physical structure of the body is but a holographic projection of consciousness, it becomes clear that each of us is much more responsible for our health than current medical wisdom allows. What we now view as miraculous remissions of disease may actually be due to changes in consciousness which in turn effect changes in the hologram of the body.

Similarly, controversial new healing techniques such as visualization may work so well because, in the holographic domain of thought, images are ultimately as real as “reality”.

Even visions and experiences involving “non-ordinary” reality become explainable under the holographic paradigm. In his book “Gifts of Unknown Things,” biologist Lyall Watson describes his encounter with an Indonesian shaman woman who, by performing a ritual dance, was able to make an entire grove of trees instantly vanish into thin air. Watson relates that as he and another astonished onlooker continued to watch the woman, she caused the trees to reappear, then “click” off again and on again several times in succession.

Although current scientific understanding is incapable of explaining such events, experiences like this become more tenable if “hard” reality is only a holographic projection. Perhaps we agree on what is “there” or “not there” because what we call consensus reality is formulated and ratified at the level of the human unconscious at which all minds are infinitely interconnected. If this is true, it is the most profound implication of the holographic paradigm of all, for it means that experiences such as Watson’s are not commonplace only because we have not programmed our minds with the beliefs that would make them so. In a holographic universe there are no limits to the extent to which we can alter the fabric of reality.

What we perceive as reality is only a canvas waiting for us to draw upon it any picture we want. Anything is possible, from bending spoons with the power of the mind to the phantasmagoric events experienced by Castaneda during his encounters with the Yaqui brujo don Juan, for magic is our birthright, no more or less miraculous than our ability to compute the reality we want when we are in our dreams.

Indeed, even our most fundamental notions about reality become suspect, for in a holographic universe, as Pribram has pointed out, even random events would have to be seen as based on holographic principles and therefore determined. Synchronicities or meaningful coincidences suddenly makes sense, and everything in reality would have to be seen as a metaphor, for even the most haphazard events would express some underlying symmetry.

Whether Bohm and Pribram’s holographic paradigm becomes accepted in science or dies an ignoble death remains to be seen, but it is safe to say that it has already had an influence on the thinking of many scientists. And even if it is found that the holographic model does not provide the best explanation for the instantaneous communications that seem to be passing back and forth between subatomic particles, at the very least, as noted by Basil Hiley, a physicist at Birbeck College in London, Aspect’s findings “indicate that we must be prepared to consider radically new views of reality”.